Saturday, December 3, 2022

Mahler’s Having a Moment. He’s Got Lydia Tár to Thank for It.

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The Austrian composer’s Symphony No. 5 is the obsession of the conductor played by Cate Blanchett — and of the fans of her latest film.

For a 70-minute Austrian symphony first performed more than a century ago, Mahler’s Fifth makes a surprisingly strong case for itself as the song of the season.

No, Gustav Mahler didn’t occupy the top 10 spots in the Billboard Hot 100, as Taylor Swift did last week, and the piece’s lush fourth movement has yet to be co-opted by the TikTok crowd. But the symphony, which plays a central role in the new Cate Blanchett drama, “Tár,” seems to have a way of sticking with audiences long after they’ve left the theater, finding its way onto the strolling, cleaning and cooking playlists of listeners who might otherwise be more inclined toward Adele, OneRepublic or Beyoncé.

Dalton Glass, a tech worker in Lakeland, Fla., is not a total stranger to classical music: He listened to a lot of it as a child, and as an adult, he hears at least a bit whenever he has an incoming call. (His ringtone of several years is a snatch of Bach’s “The Well-Tempered Clavier.”) Still, he has some blind spots.

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Disclaimer: This story is generated from RSS Feed and has not been created or edited by Waba News. Publisher: The New York Times

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